{"id":618,"date":"2014-09-01T11:39:21","date_gmt":"2014-09-01T09:39:21","guid":{"rendered":"https:\/\/www.concrete-audio.com\/uncategorized-en\/2014-09-001-technisches-datenblatt-f1-2\/"},"modified":"2024-05-02T14:02:51","modified_gmt":"2024-05-02T12:02:51","slug":"2014-09-001-technical-data-f1","status":"publish","type":"post","link":"https:\/\/www.concrete-audio.com\/en\/press-releases\/2014-09-001-technical-data-f1\/","title":{"rendered":"2014-09-001 Technical data F1"},"content":{"rendered":"
<\/i>Download<\/span><\/a><\/div>
<\/div><\/div><\/div>

TECHNICAL SPECIFICATIONS MODEL F1<\/h2>\n<\/div>
<\/div><\/div><\/div>

Housing:
\nSystem:
\nFrequency range:
\nMax. SPL\/1 m:
\nPorts:
\nDimensions (H x W x D):
\nNet weight\/piece:<\/p>\n<\/div>

<\/div><\/div><\/div>

Concrete, monolithically poured
\n2-way-array, closed-box, active, DSP, Class-D
\n100 Hz \u2013 20,000 Hz
\n98 dB (10 % THD at f = 100 Hz; < 3 % THD at f > 200 Hz)
\ndigital: Audiofly Syncronice wireless
\n57,5 cm (22,6 in) x 39 cm (15,4 in) x 3,2 cm (1,3 in)
\n12 kg (26,4 lbs)<\/p>\n<\/div>

<\/div><\/div><\/div>

The technical data of the Concrete Audio F1 is the result of an extensive acoustic survey by the Fraunhofer Institute for Digital Media Technology IDMT, Ilmenau. The data was charted using a low reflection chamber of the Class 1 (according to ISO 3745) to Requirements of DIN 60268-5.<\/p>\n<\/div>

<\/div><\/div><\/div>

TECHNICAL SPECIFICATIONS Audiofly Syncronice wireless device:<\/h2>\n

48 kHz, 16 bit I2S Digital Audio
\n20 Hz to 21 kHz Frequency Response
\n2.4 GHz Frequency Band
\nHigh Quality of Service (QoS)
\nVery high signal stability with adaptive frequency hopping.
\nInaudible delay with extremely low latency
\nHPX™ Audiocodec
\nTHD+N better than 0,01%
\nAll systems run without drivers and Apps
\nFast and simple expansion
\n24 bit, 96 kHz Stereo D\/A- Convertor from Cirrus Logic<\/p>\n<\/div>

<\/div><\/div><\/div>
<\/i>Download<\/span><\/a><\/div>
<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/www.concrete-audio.com\/en\/wp-json\/wp\/v2\/posts\/618"}],"collection":[{"href":"https:\/\/www.concrete-audio.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.concrete-audio.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.concrete-audio.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.concrete-audio.com\/en\/wp-json\/wp\/v2\/comments?post=618"}],"version-history":[{"count":6,"href":"https:\/\/www.concrete-audio.com\/en\/wp-json\/wp\/v2\/posts\/618\/revisions"}],"predecessor-version":[{"id":1399,"href":"https:\/\/www.concrete-audio.com\/en\/wp-json\/wp\/v2\/posts\/618\/revisions\/1399"}],"wp:attachment":[{"href":"https:\/\/www.concrete-audio.com\/en\/wp-json\/wp\/v2\/media?parent=618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.concrete-audio.com\/en\/wp-json\/wp\/v2\/categories?post=618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.concrete-audio.com\/en\/wp-json\/wp\/v2\/tags?post=618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}